CB Podcast Ep. 103 – Top Ten Films of 2017

It’s finally here! The Cinema Bros present their top ten lists and recap their full top 20s. They also give out awards for best underrated performances and the best new directors of 2017.
Right Click and select “Save as…” to download.

Or choose your preferred listening app below.

Podcastaddict

Link Bank

Credits:

  • Hosts: Josiah Wampfler, Sam Wampfler & Jacob Wampfler
  • Produced by Josiah Wampfler
  • A Cinema Bros Network Podcast
  • Theme Music by Josiah Wampfler. Film clips used under fair use. All rights belong to their respective copyright holders
  • Music clips used under fair use. All rights belong to their respective copyright holders.
  • Visit our website for show notes as well as articles covering film, television, video games, music & more!
  • Email us at cinemabrospod@gmail.com

Cinema Bros’ Best Dialogue of 2017

Dialogue is probably one of the most important parts of a film. You can have incredible cinematography, great music, wonderful acting and a great story, but if the things that your characters are saying don’t seem believable or don’t make sense, it doesn’t matter. Great films usually have memorable, believable dialogue and there were many films that fit that bill in 2017. Here is the Cinema Bros’ list of the Best Dialogue of 2017:

**If you want to view a large version of each image, click or tap the photo**


Guardians of the Galaxy Vol. 2 – By James Gunn

By Sam

This exchange is interesting because it serves as a break in the action of the final battle of the film. As Peter Quill and Yondu are both descending from the wreckage of their ship Quill throws what he thinks is going to be a funny quip at Yondu, but since Yondu is an alien he assumes it is a compliment. It is a great moment for the pair when Quill, who has been growing closer to Yondu, his surrogate father figure, the entire film, decides to let Yondu believe that Mary Poppins is a cool dude. It is a funny but subtly tender moment.


Three Billboards Outside Ebbing, Missouri – By Martin McDonagh

By Jacob

Three Billboards Outside Ebbing, Missouri is about as crass and tasteless as they come. It is, after all, a film set in the rural Midwest. Political correctness doesn’t exist here, and folks say a whole bunch of things they probably should keep to themselves. This venomous attack on an unsuspecting reporter epitomizes the film thematically, but it also encapsulates Mildred’s character. Her daughter was raped and murdered, yet the police aren’t in any hurry to figure out who is responsible. The titular billboards that announced her anger to the whole world have been vandalized. Mildred is absolutely correct: she’s just getting started and is certainly not concerned with her public image.


The Florida Project – By Sean Baker & Chris Bergoch

By Josiah

What is so wonderful about The Florida Project is how many of its little moments and little conversations are far more than meet the eye. From Willem Dafoe lighting a cigarette to Moonee playing in the bathtub to this wonderful conversation, writers Sean Baker and Chris Bergoch deserve a lot of credit for not only making the characters, story and dialogue feel incredibly real, but managing to thread a lot of really interesting subtext throughout. This conversation is a great example of that. Originally, Baker and Bergoch had written “up-rooted” instead of “tipped over”, but quickly realized that a six-year-old girl would never say it that way. So, not only do you have a line that feels exactly like a little girl would say it, but it also has huge subtext embedded in it. Moonee is much like the tree. She is a victim of her circumstance and, in a way, she has tipped over. But, despite her circumstances being quite bad, the film offers some hope. Moonee is still growing. It makes sense that she would gravitate toward the tree because it is a symbol of hope and she needs a little bit of hope.


The Big Sick – By Emily V. Gordon & Kumail Nanjiani

By Sam

Shortly after Kumail meets the parents of his girlfriend, who is in a coma, he starts awkward small talk with them and what could be more awkward than bringing 9/11. This is the first of many great examples of this type of humor, but this is one of the best because it also mixes in some of the racial tension that makes up a bulk of the movie’s key plot points.


Brawl in Cell Block 99 – By S. Craig Zahler

By Jacob

This fascinating take on the “law of averages” is spoken by Bradley who has just been let go from his job at the local garage. He arrives home to find his garbage can has been knocked over onto the street. Getting out of his car, he discovers that his wife has been cheating on him with another man. He dismantles her car with his bare hands (I’m really not joking), and then calmly walks into the house and sits down on the couch. With bloodied knuckles, Bradley explains that he is done with playing the odds. This monologue signals a turning point in the film, one from which Bradley can’t come back. Brawl in Cell Block 99 is a film about a man who leaves nothing to chance. Bradley is done drinking the “skim stuff” and he won’t let anyone stop him from getting what is his.


Columbus – By Kogonada

By Josiah

I couldn’t make a list of the best dialogue of 2017 without including something from Kogonada’s beautiful debut Columbus. I mean, most of the film is really just two people talking to each other trying to hash out the problems and obstacles in their lives. This particular scene is the first time real tension is brought into the relationship. Casey is a young woman who is fascinated by architecture and has put her life on pause to stay home and care for her former drug addict mother. Jin is older and is in town because his architecture professor father has slipped into a coma. This scene perfectly demonstrated how alike and how different the characters are. Both are struggling with their parent being an obstacle in their lives and this is the first scene they begin to be truly honest about their feelings about that. Much like the architecture throughout the film, the dialogue here by Kogonada is perfectly constructed.


NEXT PAGE


Cinema Bros’ Top 12 Underrated Performances of 2017

Every year, maybe even more this year, there are incredible performances that fall by the wayside. This last year gave us a plethora of wonderful performances from veterans and newcomers alike, but not all of them were given the awards attention they may have deserved. Here are the 12 best actors and actresses that didn’t receive major nominations for their stellar work:

** Nominees must not have been nominated for the Golden Globes, Screen Actors Guild or Independent Spirit Awards**


The Actors

Keanu Reeves – John Wick: Chapter 2

By Jake

It may have taken until he was in his early 50’s but Keanu Reeves was finally handed the role he was born to play. Using his background in weapons training and martial arts, Reeves commits one-hundred percent to the tortured hitman, John Wick, who also happens to really love dogs. For John Wick: Chapter 2, Reeves upped his training regimen to include judo, jiu-jitsu, and stunt driving on top of his training patterns from the first film. He also got involved in the screenwriting process – Reeves cut lines of dialogue he felt were too expository or talky for Wick’s character. His performance is intentionally cold and cut-off from the rest of the world. As such, Reeves has given us one of the best action characters in decades and John Wick’s story is far from over.  

Ray Romano – The Big Sick

By Jake

It is a very easy thing for a sitcom actor to get typecast and spend the rest of their career struggling to get meaningful roles. This seemed to be Romano’s fate ever since Everybody Loves Raymond concluded, but with The Big Sick he was finally given a chance to showcase his acting potential. Romano’s performance as the worried father of a daughter stuck in a coma is both delightfully familiar to his sitcom days and uniquely and deeply emotional. His conversations with Kumail, whether about life, love, or something more mundane, are extremely awkward, supremely entertaining and truly meaningful. Romano added so much to this film and I hope that because of this role he will be given more chances to show his more dramatic side.

Andy Serkis – War for the Planet of the Apes

By Joe

Andy Serkis has always been an extremely talented actor, but never before has he truly been able to let his talent shine like he does in War for the Planet of the Apes. A fitting close to his tenure as Caesar, the film rests largely in his performance. While war and battle bookend the film, this is not your usual war film; It is more of a war for Caesar’s soul as he must face the consequences of his lust for revenge. Serkis’ performance must convey the battle within Caesar almost wordlessly and he knocks it out of the park. This is, hands down, the greatest performance I have ever seen from Andy Serkis. He may be under layers of digital effects, but the performance is entirely his. Credit to the digital effects artists as well, but Serkis deserves awards recognition to his contribution to one of the best finale’s to a trilogy I’ve ever seen.

Hugh Jackman – Logan

By Jake

No matter the quality of the films in the X-Men franchise, there was always a constant: Hugh Jackman as the Wolverine, Logan. Rarely has a singular actor imbued an entire saga of films with such gravitas as Jackman brought to the screen in the character of Logan. Jackman made even the worst of the X-Men films slightly watchable with his brooding and ultra-violent portrayal of the ageless mutant. In Logan, James Mangold’s tribute to said character and Jackman’s final film as Wolverine, we see the culmination of all that came before it. My heart ached as I watched the character I had grown to love fading and dying on screen in front of me. However, that was Jackman and Mangold’s vision for the character – what happens when Logan’s time is up? It’s evident that Jackman put his entire being into his final film as Logan, and filmgoers were given one of the best films of 2017 as a result.

Daniel Craig – Logan Lucky

By Sam

It is always very interesting when an actor or actress completely transforms themselves for a role. Daniel Craig, who is known normally for his calm and cool performance as James Bond, did this for the unusual role of hillbilly inmate Joe Bang for Logan Lucky. Everything about him is so different that it is hard to believe it is the same actor. The most impressive aspect of his transformation is his over the top southern accent. He speaks in a higher pitch than he normally does and this helps him to really stick his most comedic lines (“I am IN… CAR… CER… ATED!). Before his turn as Joe Bang I had no idea how truly funny Craig can be and he is a major part of what made Logan Lucky one of the year’s best comedies.

Ryan Gosling – Blade Runner 2049

By Joe

Ryan Gosling is almost always underrated it seems. Despite putting in awards-caliber performances year in and year out, he only has two Oscar nominations and there always seems to be some kind of knock against him. Once again, 2017 was a year that people didn’t seem to notice how great he was as he delivered yet another stellar performance in Blade Runner 2049.

In the film, Gosling plays K, a replicant cop who discovers reality-altering things about himself and world he’s living in throughout the course of the film. What I loved about Gosling’s performance is how controlled it is. Throughout much of the film, he is the intense, stoic cop, but as the story progresses he become more and more unhinged. We feel the characters anxiety and dread as he learns every new bit of information. Every revelation is not only understood, but felt because of Gosling’s performance. By the end of the film and one of the most beautiful moments of the entire performance, Gosling has not only led us on a journey filled with heady, philosophical questions, but a journey of real emotion. Blade Runner would not be the film it is without Gosling.


CB Podcast Ep. 80 – “The Big Sick” // “War for the Planet of the Apes” Reviews

This week, the bros bring you two reviews for the price of one. The new romantic comedy comedian Kumail Nanjiani wrote with his wife, “The Big Sick”, and the final chapter of Caesar’s story, “War for the Planet of the Apes.”
Right Click and select “Save as…” to download.

Or choose your preferred listening app below.

Podcastaddict

Link Bank

Credits:
  • Hosts: Josiah Wampfler, Sam Wampfler & Jake Wampfler
  • Produced by Josiah Wampfler
  • A Cinema Bros Network Podcast
  • Theme Music by Josiah Wampfler. Film clips used under fair use. All rights belong to their respective copyright holders
  • Music clips used under fair use. All rights belong to their respective copyright holders.
  • Visit our website for show notes as well as articles covering film, television, video games, music & more!
  • Email us at cinemabrospod@gmail.com