CB Podcast Ep. 108 – “A Quiet Place” Review

After a busy couple weeks, the bros are back with a Filmstruck First of the Month review of “Chungking Express”, Jake talks briefly about “Ready Player One” and they end with an in-depth review of John Krasinski’s new horror film, “A Quiet Place”.
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  • Credits:
  • Hosts: Josiah Wampfler, Sam Wampfler & Jacob Wampfler
  • Produced by Josiah Wampfler
  • A Cinema Bros Network Podcast
  • Theme Music by Josiah Wampfler. Film clips used under fair use. All rights belong to their respective copyright holders
  • Music clips used under fair use. All rights belong to their respective copyright holders.
  • Visit our website for show notes as well as articles covering film, television, video games, music & more!
  • Email us at cinemabrospod@gmail.com

CB Podcast Ep. 92 – “Creep 2” Review

This week, the bros bring you recommendations is film, TV, video games and music! Plus, a review of the Mark Duplass starring “Creep 2.”
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Credits:

  • Hosts: Josiah Wampfler, Sam Wampfler & Jake Wampfler
  • Produced by Josiah Wampfler
  • A Cinema Bros Network Podcast
  • Theme Music by Josiah Wampfler. Film clips used under fair use. All rights belong to their respective copyright holders
  • Music clips used under fair use. All rights belong to their respective copyright holders.
  • Visit our website for show notes as well as articles covering film, television, video games, music & more!
  • Email us at cinemabrospod@gmail.com

CB Podcast Ep. 87 – “mother!” Review

This week, the bros bring recommendations in film and TV, plus an in-depth review of the extremely divisive and strange film, “mother!”, from director Darren Aronofsky.
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Podcastaddict

Link Bank

Credits:
  • Hosts: Josiah Wampfler, Sam Wampfler & Jake Wampfler
  • Produced by Josiah Wampfler
  • A Cinema Bros Network Podcast
  • Theme Music by Josiah Wampfler. Film clips used under fair use. All rights belong to their respective copyright holders
  • Music clips used under fair use. All rights belong to their respective copyright holders.
  • Visit our website for show notes as well as articles covering film, television, video games, music & more!
  • Email us at cinemabrospod@gmail.com

CB Podcast Ep. 86 – “IT” Review

This week, the bros bring you updates on their new year’s resolutions, talk about the recent Star Wars news and discuss the latest adaptation of Stephen King’s IT.
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Podcastaddict

Link Bank

Credits:
  • Hosts: Josiah Wampfler, Sam Wampfler & Jake Wampfler
  • Produced by Josiah Wampfler
  • A Cinema Bros Network Podcast
  • Theme Music by Josiah Wampfler. Film clips used under fair use. All rights belong to their respective copyright holders
  • Music clips used under fair use. All rights belong to their respective copyright holders.
  • Visit our website for show notes as well as articles covering film, television, video games, music & more!
  • Email us at cinemabrospod@gmail.com

CB Podcast Ep. 76 – “It Comes At Night” Review

This week, the bros bring you some film news, discuss some recently released trailers and review up-and-coming director Trey Edward Shults’ new film, “It Comes At Night”.
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Podcastaddict

Link Bank

Credits:
  • Hosts: Josiah Wampfler, Sam Wampfler & Jake Wampfler
  • Produced by Josiah Wampfler
  • A Cinema Bros Network Podcast
  • Theme Music by Josiah Wampfler. Film clips used under fair use. All rights belong to their respective copyright holders
  • Music clips used under fair use. All rights belong to their respective copyright holders.
  • Visit our website for show notes as well as articles covering film, television, video games, music & more!
  • Email us at cinemabrospod@gmail.com

CB Podcast Ep. 51 – “The Neon Demon” // “Swiss Army Man” Reviews

“This week, the bros tackle surrealist cinema with reviews of both Nicholas Winding Refn’s ‘The Neon Demon’ and the Daniel Radcliffe farting corpse film, ‘Swiss Army Man.'”

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CB Podcast Ep. 44 – “Don’t Breathe Review

“This week, the bros add some great films to the Cinema Bros Watchlist and review Fede Alvarez’s new film, ‘Don’t Breathe.'”

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REVIEW – “Don’t Breathe” Takes the Thriller to a Whole New Level

By Josiah Wampfler

There are two films this year that are masterclasses in how to make a thriller: “10 Cloverfield Lane” and “Don’t Breathe.” In this small, terrifying story of a robbery gone wrong, director Fede Alvarez brings suspense and tension to a whole new level. The title is not an accident. Throughout many sequences in this film, you will not be able to breathe.

One of the things that makes “Don’t Breathe” so captivating is the surprisingly great character work. Right from the start (after one of the most incredibly chilling opening shots I have seen), Alvarez endeavors to craft characters that the audience can truly connect with and he brilliantly succeeds. These people are broken, desperate, and quite reckless, all for different reasons, with stories that we can sympathize with and understand. They all want to escape the equally broken city of Detroit, the backdrop of the entire film that perfectly adds to its wonderful aesthetic. These are characters that we can root for through thick and thin, something that is desperately needed in a tale as dark and disturbing as this.

But though the characters and the superb actors who portray them are the heart of what makes this film great (Stephen Lang is TERRIFYING), it is the technical aspects of the film that truly sold me. The cinematography is beautiful, in a horrifying way. The music is haunting and adds to the ridiculous amount of tension throughout the film. And Alvarez clearly knows where to put his camera at every second of the film.

There is a specific shot toward the beginning of the film that immediately had me thinking this film was going to be a best of the year. Alvarez smoothly sails throughout the house as our characters silently search it, weaving through doorways and floating through floorboards. As he goes throughout the house, he points out certain objects along the way. Then, as the film progresses, Alvarez brilliantly checks off each of these items as they go off like individual Chekhov’s guns.

After the film was over, my heart was still racing and it didn’t stop until I had gotten miles away from the theater. “Don’t Breathe” is in many ways an exercise in Sadomasochism, never letting up on the pain and horror that it wishes to inflict on its characters and its audience. It is not a film for the faint of heart, but for those who can handle it, it is one hell of a ride!

CB Podcast Ep. 14 – “Bone Tomahawk” Review

“The brothers bring you some films you can watch this Halloween, cover some recent film news and review the directorial debut from S. Craig Zahler, ‘Bone Tomahawk.'”

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“Creep” Review

By Josiah Wampfler

The horror genre has long been plagued by two-bit actors, predictable plots and overall poor quality. Every time we get a new mainstream horror film at the theater I work, the first thing we think is, “oh, that’s probably going to suck,” or “did they need to make another one?…” Like what was discussed in Jake’s review of “It Follows” though, there is a indie horror Renaissance happening right now and Patrick Brice’s “Creep” is the newest and best of this exciting resurgence.

Since the film is so short and to give away to many plot details would be unfair to you, the reader, I will simply say this: “Creep” is a horror film about a videographer who takes a Craigslist job and goes to the client’s house to film… and it is disturbing as hell.

The film has only two cast members: the writer and director, Patrick Brice and the poster boy for indie filmmaking, Mark Duplass, both of whom are absolutely brilliant. Despite being a horror film, Duplass brings his signature awkward comedy into the mix to create a nice mix of light-hearted moments and terrifying uneasiness.

The film is shot in the found-footage style, but unlike many of these films, the technique is central to the plot and it is a benefit to the film. In fact, the ending of the film is made all the more disturbing because of the found-footage style.

One of the things I liked most about the film that many horror films get wrong was the perfect pacing it had. Throughout the film, Brice makes sure that each time the horror and tension get ramped-up it makes sense. The tension builds slowly, but just fast enough to keep you glued to the edge of your seat, until finally, the tension subsides as the true horror of the film is revealed in “Creep’s” superb ending.

What else can I say without spoiling it? “Creep” is a must-see movie for horror-enthusiasts and indie film-lovers alike. I can safely say that it is my favorite horror film I have ever seen and the ending absolutely blew me away. It is available on Netflix Instant right now and I would implore anyone to check it out.