Sam’s Top Films of 2017: 20-11

By Sam Wampfler


20. Three Billboards Outside Ebbing, Missouri

Directed by Martin McDonagh

Three Billboards may not be my favorite Martin McDonagh film, but I still felt that it had to make it onto my top 20. It is a wonderful piece of satire that delves right into so many societal issues that our world is facing, such as racism, sexism, and basic prejudice. It doesn’t handle all of these matters perfectly, but the mere fact that it is trying to comment on them sets it above many other films.

What really makes Three Billboards great are its fabulous performances. Frances McDormand, always fantastic, excels in her role as Mildred, a mother trying to get justice for her murdered child. She is downright hilarious in some scenes, especially when she is screaming in righteous anger at the idiots on the news covering her story, but it is in her moments of mourning her daughter that she obtains her most heartbreaking and poignant moments. Sam Rockwell is also notable as the racist cop who starts off as a problem for Mildred and ends up as her only supporter. He also spans the spectrum between hilarity and sadness, giving one of the best performances of his career. Three Billboards can be a rough watch at times, but it remains a relevant and entertaining film.

Currently In Theaters

19. Brigsby Bear

Directed By Dave McCary

Brigsby Bear was the last film I watched from 2017 and I am extremely glad I was able to fit it in. The plot of this film is super quirky as it deals with the uniquely millennial issue of pop culture addiction. No other generation has obsessed as much over different forms of media and this is expertly portrayed through James’ (SNL’s Kyle Mooney) love for his childhood TV show, Brigsby Bear. Mooney does a great job in his first big film acting role and really brings a heartwarming quality to the character.

Director Dave McCary’s greatest accomplishment in the film is creating the world of the Brigsby Bear show. We see clips from the original episodes of Brigsby Bear that are complete with a retro VHS effect. These clips are brilliant and have great voice acting moments by Mark Hamill. We then see James’ updated final episode of Brigsby Bear and it is a sight to behold. It contains some of the best shots of the entire film, including some paying homage to shows of the past including Star Wars and Star Trek. For his first feature film, McCary definitely created a lovely and visually entertaining tale.

Currently Available on VOD & Blu-ray/DVD

18. I, Tonya

Directed by Craig Gillespie

I, Tonya reminded me a lot of The Big Short. They have the same frenetic energy and they both tell a not so happy true story in a comedic and lighthearted way. I knew next to nothing about Tonya Harding before this film and I found the whole story completely fascinating. It took its source material, conflicting interviews, to heart and really showed all of the sides of the story without demonizing any of the characters.

What really makes this film work is the amazing performances by Margot Robbie and Allison Janney. Robbie was perfect for the role of Tonya Harding. She played Tonya during multiple stages in her life and she nailed every age perfectly. Janney, who plays Harding’s mother, completely transforms herself. Her performance is wonderful and you often find yourself laughing at many of her lines, even the terrible ones that you shouldn’t find funny. Her mother was a terrible person and Janney really leans into the role. The rest of the cast is great as well and they all help to make I, Tonya a truly delightful biopic.

Currently Available on VOD & Blu-ray/DVD

17. The Shape of Water

Directed by Guillermo del Toro

Guillermo del Toro has a knack for creating fantastical worlds that dazzle the minds of viewers. The world in The Shape of Water is no exception. On the surface it is merely a quaint 1960’s town, but, besides the fish man that we are introduced to, there is a particular sense of magic that the town exudes. It has a certain glow to it that makes you believe that anything could happen. This glow also seems to emanate from the main character Elisa (Sally Hawkins), a mute maid at a secret government facility. Hawkins plays Elisa brilliantly. She is absolutely charming and completely elevates an already incredible film.

Two of the most impressive technical aspects of The Shape of Water are the design of Doug Jones’ fish man and the underwater scenes. The makeup artists that created the fish man design and completely transformed Jones deserve much more credit than they have received. Jones himself is and always has been great at bringing his non-human parts to life in a very unique way, and the Shape of Water is no exception. Visually, the underwater scenes are phenomenal because most weren’t shot in water at all. It is uncanny how perfectly they captured how the character’s hair and clothes would flow underwater. The Shape of Water is definitely a technical and visual masterpiece.

Currently In Theaters

16. Blade Runner 2049

Directed By Dennis Villeneuve

Blade Runner 2049 is a long but film but it never feels long. Every shot and every scene is so enthralling, which is partially due to some amazing visual effects and production design and partially due to the terrific performances of an amazing cast. Ryan Gosling, as usual, gives a wonderful performance. It may even be one of the best of his career. Harrison Ford is also great, giving his signature grumpy old man performance, as he reprises his role as Rick Deckard.

The best aspect of the film, though, is how it not only continues the Blade Runner story but also updates it. It is the same world, but much has changed since the original. The most fascinating elements are the scenes where we see the cityscapes from the original now abandoned and surrounded by pollution. The society of the world has also changed, and not for the better, even though film’s antagonist would have you think so. Parallels can be made to our own world in this way. Blade Runner 2049 is not only a work of art, but also a great piece of social commentary.

Currently Available on VOD & Blu-ray/DVD

15. Thor: Ragnarok

Directed By Taika Waititi

It is rather astounding that it took three tries to get a good Thor film, but it finally happened. With Thor: Ragnarok, Taika Waititi gave us a funny, epic, and visually stunning comic book tale. One of his best moves was finally letting Chris Hemsworth unleash his comedic wit as the God of Thunder. Past films had him acting all grim and straight faced for much of their runtime. In Thor: Ragnarok he becomes one of the main driving comedic forces, along with Waititi’s ability to subvert audience expectation to a hilarious degree.

This is also one of the most visually stunning films that Marvel has released. Two scenes in particular stand out as exceptional. One is an homage to Willie Wonka and the Chocolate Factory, where in Thor is driven through a psychedelic tunnel, and the other is a flashback of Hela versus the Valkyries. The Valkyrie scene may be the most brilliant footage ever to come out of a comic book movie. Thor: Ragnarok is more proof that Marvel knows how to craft high quality entertaining films.

Currently Available on VOD & Blu-ray/DVD

14. Logan Lucky

Directed By Steven Soderbergh

 

Steven Soderbergh’s directing credits are somewhat all over the place. He has made dramas like Traffic, documentaries like Gray’s Anatomy, and more comedic fare like Magic Mike. For most mainstream moviegoers though he is best known for the Ocean’s Eleven series. With Logan Lucky he asks “What if they robbed NASCAR instead of Vegas?” It turns out that this was a question that had a hilarious answer.

Most notable for their comedic performances in the film are Adam Driver and Daniel Craig. Both of them transform themselves for their roles and give incredible performances. Besides being hilarious though, Logan Lucky also takes times to slow its pace and get in some very heartwarming character development. Some of this is between the two Logan brothers played by Driver and Channing Tatum, but the best example is the building of the relationship between Tatum’s character and his daughter. It is a running theme that he is not always around for her but the two care a great deal for each other. The opening scene is simply a conversation between father and daughter about their favorite country songs and the daughter’s upcoming pageant. It is a lovely moment and completely sets Logan Lucky a step above most traditional comedies.

Currently Available on VOD & Blu-ray/DVD

13. John Wick: Chapter 2

Directed By Chad Stahelski

The first John Wick was incredible in many ways. It had some of the most incredible action sequences ever put to film and Keanu Reeves as one of the most badass action stars of all time. It was hard to say if the second chapter would be able to live up to its predecessor, but it absolutely did in every way possible. The guns are bigger, the fights are more intense, and the cast includes some even bigger names, including Laurence Fishburne and Common (who gets in an epic physical brawl with Reeves).

John Wick Chapter 2’s most important addition is its world building. In the first film we are introduced to a hotel where no hits are allowed to go down. In this new chapter we find out there is a whole organization of hitmen with distinct rules, a weapon sommelier, and a group of phone operators all dressed in pink that are able to to put out hits with the touch of a button. In a sense we find out that this is a world that may be inhabited entirely by hitmen. It is a wonderful premise that really builds up a lot of excitement for the third chapter.

Currently Available on VOD & Blu-ray/DVD

12. Dunkirk

Directed By Christopher Nolan

Dunkirk is exceptional as a war film because, unlike others of its kind, it does not rely on a lot of normal war film tropes. There aren’t any sprawling battlefields. There are just soldiers on a beach. You barely even see the enemy forces. Dunkirk instead relies on its non-linear timeline, intense and driving score, and powerful performances to immerse the viewer in the experience of thousands of soldiers who were stranded in enemy territory waiting for what seemed like an almost impossible rescue.

Dunkirk’s non-linear timeline was confusing at first, but when it started to make sense it also became its most genius aspect. At this point, there have to have been hundreds of war films made and without a doubt Dunkirk is one of the most creative and moving of all of them. We get the stories of the men on the beach, the civilian boat owners, and the pilots trying to protect all of them at different yet interlocking speeds. All while a watch ticking effect accompanies the score and drives the action and the tension. It is truly one of Nolan’s most breathtaking achievements.

Currently Available on VOD & Blu-ray/DVD

11. Colossal

Directed By Nacho Vigalondo

Normally, films that involve giant monsters attacking cities don’t delve into any deep and emotional themes. Colossal goes against the norm and jumps straight into some very impressive commentary on addiction and abuse, both verbal and physical. Even with these dark themes, the film still remains funny, witty, and thoroughly enjoyable. Much of this is due to excellent performances by Anne Hathaway and Jason Sudeikis.

Hathaway, in particular, is extremely intriguing as the main character Gloria. She wholly transforms herself for the role and she is the main source of both the comedic and dramatic moments in the film. Her progression through the stages of addiction are hard to watch at times, but there is a unique charm to her performance that really make you feel for her. She also has some of the most hilarious moments when she discovers how she is linked to the monster in Seoul, South Korea. Colossal is a wonderful example of how you can take a common film genre and transform it into something meaningful, fun, and new.  

Currently Streaming on Hulu

 

For Sam’s Top 10 films of 2017, please listen to the Cinema Bros’ Top 10 Podcast HERE

Cinema Bros’ Top 35 Shots of 2017

Cinematography is, in many ways, the most important aspect of the film. As the pen (or computer now I suppose) is to the writer or the brush is to the painter, so is the camera to the filmmaker. Cinematography is the language of cinema. Yes, the acting, costumes, set, sound and writing are also important, but choosing what to show the audience (or what not to) and how to show them is what makes movies, movies.

So, in order to recognize the great work cinematographers did last year, we have compiled our Top 35 Shots of 2017:

** We recommend you turn your screen brightness up. If you would like to view larger versions of the images, simply click/tap them.**


Super Dark Times

Director of Photography: Eli Born

By Jacob

This shot from Super Dark Times is every kid’s dream. Slicing things cleanly in half with very sharp objects should probably be a national pastime, right next to blowing stuff up on the 4th of July. It starts as harmless fun for these friends with a katana, but as the title might suggest things get super dark, super fast. Eli Born’s camerawork in this film is some of the most interesting stuff I saw from any film in 2017, and I’m actually somewhat terrified to see what he could do with a bigger budget. Super Dark Times is hauntingly beautiful to look at, and this katana slow-mo shot is only the beginning…trust me.


Atomic Blonde

Director of Photography: Jonathan Sela

By Josiah

Yahoo! Movies named this scene the best American fight scene of all time. I don’t know if I’d go that far, but it definitely is toward the top. Coming from a crew that worked on John Wick, it makes sense that we’d get a scene like this. Like the rest of the action in Atomic Blonde, this scene is brutal as hell. For nearly ten minutes and pretty much one shot (Though it was definitely multiple shots stitched together through the magic of CGI), Charlize Theron gets the ever-living shit beat out of her and kicks some serious ass of her own. The camera work isn’t overly impressive, but it does exactly what it needs to do which is let the performers bring the brutality. The audacity to attempt this is crazy. To actually pull it off is deserving of recognition.

Watch the full shot here


Lady Macbeth

Director of Photography: Ari Wegner

By Jacob

I don’t know how many total shots comprise Lady Macbeth, but the number is likely far lower than I could even guess. There is a sickening and horrific stillness to the film that I’ve not seen before. This shot encapsulates this unflinching eye perfectly. Lady Katherine does a lot of sitting. And while she sits, she thinks. These moments seem harmless, but they give way to scenes that make you beg for them to end. When you want the camera to cut away, when you desperately want the scenery to change, it’s as if the cinematographer says “no.” Lady Macbeth is a slow-burn thriller dressed up as a period-piece drama. You’ve been warned, so proceed with caution.


IT

Director of Photography: Chung-hoon Chung

 By Sam

This may be one of the most surprising and unsettling shots in all of It. It is a perfect jump scare as we suddenly see terrifying visage of Pennywise, larger than we’ve seen him before, burst from the projector screen. What makes it extremely effective is the use of the projector clicks to darken the screen periodically and give us a sense of dread of what might pop up next. What does pop up is entirely unexpected. How could anyone have expected a giant clown head. It is ridiculous and almost comedic upon further viewings. But the balance between comedy and horror is what makes It an incredibly entertaining film.


The Bad Batch

Director of Photography: Lyle Vincent

By Josiah

There are two reasons Blake Shelton should never have been named Sexiest Man Alive last year: The shot of Jason Momoa as Aquaman rising out of the water in Justice League and the entirety of The Bad Batch, though this shot in particular. There are so many incredible shots from The Bad Batch because director Ana Lily Amirpour and cinematographer Lyle Vincent have incredible eyes for visual storytelling. I could have gone with many others, but this one just seemed right. It is our first introduction to The Miami Man and it is also one of the first moments in the film that Amirpour signals that it is ok to laugh a little. The shot comes in the middle of showing the bro culture of the cannibal camp with a bunch of jacked people working out. The Miami Man stands apart though, looking off into the distance with his sweet ass shades and drinking a refreshing can of Jizzy Fizz. It says so much about the character and it is just a great, funny shot.


John Wick: Chapter 2

Director of Photography: Dan Laustsen

By Jacob

John Wick: Chapter 2 is my most beloved film of 2017. It might be one of my most beloved films of the last decade, maybe even of all time. It is so ridiculous, so asinine, so off-the-wall insane that it works absolutely and completely to perfection. From Keanu Reeves’ performance to the cartoonish villains to the filmmakers saying “Sure, let’s film an action sequence in a room full of mirrors!” this film has it all and then some. I picked this mirror trick shot because, well, there are 57 other shots I could have picked and this was the one I saw the most. John Wick, Baba Yaga, walks through some sliding glass mirror doors to off his umpteenth baddie of the film. Watch out, he might be coming for you next.  


Logan

Director of Photography: John Mathieson

By Sam

Up until this point in Logan we had not seen Laura’s true potential or her gruesome abilities. This is her last innocent moment before she slaughters the men on the TV screen she is looking at. It is a somewhat morbidly funny scene once you have seen the full context. The scene originally seems like a child eating cereal and watching TV, almost like a Saturday morning cartoon binge from back in the day. In no way would the normal viewer expect her to then murder a group of men with hand claws.  Dafne Keen is great in this scene as she is in the rest of this phenomenal film.


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CB Podcast Ep. 96 – “Three Billboards Outside Ebbing, Missouri” Review

This week, the bros bring you recommendations in film and TV, plus an in-depth look at at writer/director Martin McDonagh’s third film, “Three Billboards Outside Ebbing, Missouri”.
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Credits:

  • Hosts: Josiah Wampfler, Sam Wampfler & Jake Wampfler
  • Produced by Josiah Wampfler
  • A Cinema Bros Network Podcast
  • Theme Music by Josiah Wampfler. Film clips used under fair use. All rights belong to their respective copyright holders
  • Music clips used under fair use. All rights belong to their respective copyright holders.
  • Visit our website for show notes as well as articles covering film, television, video games, music & more!
  • Email us at cinemabrospod@gmail.com

CB Podcast Ep. 16 – “Spectre” Review

“The brothers are joined by a special guest on this episode as they discuss recent film news and bring you a review of the latest Bond film, ‘Spectre.'”

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