“War for the Planet of the Apes” – A Beautiful Modern Biblical Epic… With Apes

By Josiah Wampfler


War for the Planet of the Apes is an astounding achievement in filmmaking and the best finale to a trilogy I’ve seen since Peter Jackson’s Return of the King. Director Matt Reeves renders the world in lush colors and brings a type of controlled, sure-handed cinematography rarely seen in modern blockbusters. The action is electric, but not chaotic. It is a type of filmmaking and a type of story that we simply don’t see on this scale anymore where every single frame is deliberate and every camera move is purposeful. With War, Reeves has crafted a modern biblical epic with apes at its core and, though the filmmaking is clearly inspired by cinema of old, it couldn’t feel more fresh.

For the first time in the new Apes trilogy, our main protagonist is Caesar and the film is told almost exclusively from the viewpoint of the apes. After the events of the previous film, Caesar and his apes are engaged in a war with the humans they don’t want any part of. But, after Caesar suffers unimaginable loss at the hands of Woody Harrelson’s character, known only as The Colonel, the war becomes too personal to ignore. In his lust for revenge, Caesar leaves his ape followers to track down The Colonel. The peace-loving ape is in danger of being consumed by his rage and the unintended consequences of his actions put both he and the entire ape nation at risk.

Just like that other great trilogy capper, The Return of the King, War for the Planet of the Apes also happens to feature an astounding motion capture performance from the great Andy Serkis, who deserved an Oscar nomination for his final outing as Caesar. Serkis has always been an incredibly talented actor, but this is the first time he’s had the opportunity to shine like this. Recalling biblical epics of old, War cleverly portrays Caesar as a Moses-like character and Serkis rivals Charlton Heston in the role. This Moses must grapple with his duty and commitment to the ape nation and his rage. And though Serkis does a wonderful job showing us a darker Caesar who’s love for humanity has run out, we can the turmoil raging underneath the surface that is exacerbated by the character of Nova.

What truly makes War for the Planet of the Apes so surprising and wonderful is its boldness in being quiet and being still. While there is action (The film starts and ends with some incredible action scenes), the war that happens in the film is much more of an internal one. The quietness comes from the apes main mode of communication (sign language), but it also comes from the mute Nova. The young girl, played by a superb Amiah Miller, joins the group after her father is killed after attacking the apes and Caesar’s right-hand man Maurice can’t bare to leave her behind. She becomes a constant reminder for Caesar of the goodness of humanity, complicating his hatred and rage.

Due to the inclusion of another character who does not speak, the film quite impressively contains very little spoken dialogue. It is something that actually choked me up when the credits rolled and I thought about it: Matt Reeves delivered a beautiful, big-budget blockbuster that is told almost entirely through images and sign language and prominently features a mute girl who is a representation of the goodness of humanity. Instead of the cluster of noise that most Hollywood blockbusters bring us, War for the Planet of the Apes brings us back to the basics of cinema by truly sticking to the adage that a picture is worth a thousand words.

War for the Planet of the Apes contains a multitude of interesting themes that I could go on and on about, but I think it is mainly a film about the all-consuming nature of hatred and rage and the nature of humanity. It is a gorgeous and emotionally resonant end to Caesar’s story filled with incredible CGI from the folks at Wetta, incredible performances from the entire cast (I prefer to think Woody Harrelson’s Oscar nomination for for this film), a lovely score from Michael Giacchino and one of the best stories I’ve seen told in a modern blockbuster. With War, Matt Reeves has made the new Apes trilogy one of the best of all time.

 

War for the Planet of the Apes is currently available to rent through Google Play, Amazon Video and iTunes. It is also available on DVD and Blu-ray.

Cinema Bros’ Top 12 Underrated Performances of 2017

Every year, maybe even more this year, there are incredible performances that fall by the wayside. This last year gave us a plethora of wonderful performances from veterans and newcomers alike, but not all of them were given the awards attention they may have deserved. Here are the 12 best actors and actresses that didn’t receive major nominations for their stellar work:

** Nominees must not have been nominated for the Golden Globes, Screen Actors Guild or Independent Spirit Awards**


The Actors

Keanu Reeves – John Wick: Chapter 2

By Jake

It may have taken until he was in his early 50’s but Keanu Reeves was finally handed the role he was born to play. Using his background in weapons training and martial arts, Reeves commits one-hundred percent to the tortured hitman, John Wick, who also happens to really love dogs. For John Wick: Chapter 2, Reeves upped his training regimen to include judo, jiu-jitsu, and stunt driving on top of his training patterns from the first film. He also got involved in the screenwriting process – Reeves cut lines of dialogue he felt were too expository or talky for Wick’s character. His performance is intentionally cold and cut-off from the rest of the world. As such, Reeves has given us one of the best action characters in decades and John Wick’s story is far from over.  

Ray Romano – The Big Sick

By Jake

It is a very easy thing for a sitcom actor to get typecast and spend the rest of their career struggling to get meaningful roles. This seemed to be Romano’s fate ever since Everybody Loves Raymond concluded, but with The Big Sick he was finally given a chance to showcase his acting potential. Romano’s performance as the worried father of a daughter stuck in a coma is both delightfully familiar to his sitcom days and uniquely and deeply emotional. His conversations with Kumail, whether about life, love, or something more mundane, are extremely awkward, supremely entertaining and truly meaningful. Romano added so much to this film and I hope that because of this role he will be given more chances to show his more dramatic side.

Andy Serkis – War for the Planet of the Apes

By Joe

Andy Serkis has always been an extremely talented actor, but never before has he truly been able to let his talent shine like he does in War for the Planet of the Apes. A fitting close to his tenure as Caesar, the film rests largely in his performance. While war and battle bookend the film, this is not your usual war film; It is more of a war for Caesar’s soul as he must face the consequences of his lust for revenge. Serkis’ performance must convey the battle within Caesar almost wordlessly and he knocks it out of the park. This is, hands down, the greatest performance I have ever seen from Andy Serkis. He may be under layers of digital effects, but the performance is entirely his. Credit to the digital effects artists as well, but Serkis deserves awards recognition to his contribution to one of the best finale’s to a trilogy I’ve ever seen.

Hugh Jackman – Logan

By Jake

No matter the quality of the films in the X-Men franchise, there was always a constant: Hugh Jackman as the Wolverine, Logan. Rarely has a singular actor imbued an entire saga of films with such gravitas as Jackman brought to the screen in the character of Logan. Jackman made even the worst of the X-Men films slightly watchable with his brooding and ultra-violent portrayal of the ageless mutant. In Logan, James Mangold’s tribute to said character and Jackman’s final film as Wolverine, we see the culmination of all that came before it. My heart ached as I watched the character I had grown to love fading and dying on screen in front of me. However, that was Jackman and Mangold’s vision for the character – what happens when Logan’s time is up? It’s evident that Jackman put his entire being into his final film as Logan, and filmgoers were given one of the best films of 2017 as a result.

Daniel Craig – Logan Lucky

By Sam

It is always very interesting when an actor or actress completely transforms themselves for a role. Daniel Craig, who is known normally for his calm and cool performance as James Bond, did this for the unusual role of hillbilly inmate Joe Bang for Logan Lucky. Everything about him is so different that it is hard to believe it is the same actor. The most impressive aspect of his transformation is his over the top southern accent. He speaks in a higher pitch than he normally does and this helps him to really stick his most comedic lines (“I am IN… CAR… CER… ATED!). Before his turn as Joe Bang I had no idea how truly funny Craig can be and he is a major part of what made Logan Lucky one of the year’s best comedies.

Ryan Gosling – Blade Runner 2049

By Joe

Ryan Gosling is almost always underrated it seems. Despite putting in awards-caliber performances year in and year out, he only has two Oscar nominations and there always seems to be some kind of knock against him. Once again, 2017 was a year that people didn’t seem to notice how great he was as he delivered yet another stellar performance in Blade Runner 2049.

In the film, Gosling plays K, a replicant cop who discovers reality-altering things about himself and world he’s living in throughout the course of the film. What I loved about Gosling’s performance is how controlled it is. Throughout much of the film, he is the intense, stoic cop, but as the story progresses he become more and more unhinged. We feel the characters anxiety and dread as he learns every new bit of information. Every revelation is not only understood, but felt because of Gosling’s performance. By the end of the film and one of the most beautiful moments of the entire performance, Gosling has not only led us on a journey filled with heady, philosophical questions, but a journey of real emotion. Blade Runner would not be the film it is without Gosling.


CB Podcast Ep. 98. – “Star Wars: The Last Jedi” Review

This week, the bros quickly discuss the massive Disney/Fox deal and then bring you an exhaustive review for “Star Wars: The Last Jedi” with non-spoiler and spoilers sections.
Right Click and select “Save as…” to download.

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Podcastaddict

Link Bank

Credits:

  • Hosts: Josiah Wampfler, Sam Wampfler & Jake Wampfler
  • Produced by Josiah Wampfler
  • A Cinema Bros Network Podcast
  • Theme Music by Josiah Wampfler. Film clips used under fair use. All rights belong to their respective copyright holders
  • Music clips used under fair use. All rights belong to their respective copyright holders.
  • Visit our website for show notes as well as articles covering film, television, video games, music & more!
  • Email us at cinemabrospod@gmail.com

CB Podcast Ep. 80 – “The Big Sick” // “War for the Planet of the Apes” Reviews

This week, the bros bring you two reviews for the price of one. The new romantic comedy comedian Kumail Nanjiani wrote with his wife, “The Big Sick”, and the final chapter of Caesar’s story, “War for the Planet of the Apes.”
Right Click and select “Save as…” to download.

Or choose your preferred listening app below.

Podcastaddict

Link Bank

Credits:
  • Hosts: Josiah Wampfler, Sam Wampfler & Jake Wampfler
  • Produced by Josiah Wampfler
  • A Cinema Bros Network Podcast
  • Theme Music by Josiah Wampfler. Film clips used under fair use. All rights belong to their respective copyright holders
  • Music clips used under fair use. All rights belong to their respective copyright holders.
  • Visit our website for show notes as well as articles covering film, television, video games, music & more!
  • Email us at cinemabrospod@gmail.com